The Status Quo Will No Longer Do! (The Corporate Takeover of Art & Artwashing, or Social Justice in a Cultural Democracy?)

The Status Quo Will No Longer Do! (The Corporate Takeover of Art & Artwashing, or Social Justice in a Cultural Democracy?)

I was kindly asked to talk alongside Labour MP Laura Pidcock, Jessie Jo Jacobs (Policy and Campaigns Officer, Northern TUC) and Ramona McCartney (National Officer for the People's Assembly) at the People's Assembly event, "In Place of Austerity", in Newcastle on 20th January 2018. It was an incredibly inspiring day! This is the transcript for my talk...

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Old Boys Network: Elite connections can't prevent local people from defeating University of the Arts London & offshore property developer Delancey plan for social cleansing of Elephant & Castle

Old Boys Network: Elite connections can't prevent local people from defeating University of the Arts London & offshore property developer Delancey plan for social cleansing of Elephant & Castle

Plans to redevelop Elephant and Castle shopping centre and the surrounding area by tax-avoiding, Tory-supporting property developer Delancey and London College of Communication/University of the Arts London where rejected (subject to confirmation on 30th January 2018) by Southwark Council’s planning committee. It is understandable that arch-capitalists Delancey (owned by the notorious father and son property development partnership, the Ritblats) aren’t interested in local people and local communities, but what’s with LCC/UAL? Why would a top arts and design institution behave so aggressively to existing community members? The connections between the Ritblats and the Vice Chancellor of UAL are interesting. They reveal how the corporate takeover of high education and the arts are intersecting with the corporate takeover of our communities and our land.

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Robin Hood Gardens. V&A: The not-so-very-arms-length state-led artwashing of state-led gentrification and social cleansing

Robin Hood Gardens. V&A: The not-so-very-arms-length state-led artwashing of state-led gentrification and social cleansing

Much has been written about V&A’s decision to purchase a part of Robin Hood Gardens: an ex-council estate; more recently social housing.  The estate is currently being demolished to make way for Blackwall Reach – a luxury property development.  Campaigners fought to save Robin Hood Gardens: some because of its architectural significance; others because they believed in maintaining social housing.  Yet the estate was not saved.  This blog post argues that V&A are artwashing the demolition of social housing and the gentrification of East London...

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Artists Against Artwashing: Anti-Gentrification & the Intangible Rise of the Social Capital Artist

Artists Against Artwashing: Anti-Gentrification & the Intangible Rise of the Social Capital Artist

This is a transcript of my paper I presented at the Edge | Situated Practice conference at Here East on Saturday 7th October 2017.  The conference was organised by the UCL Urban Laboratory and the Folkestone Triennial, with additional support from the Bartlett School of Architecture and Slade School of Fine Art.  There's a link to my PowerPoint presentation too.  It was a really interesting conference and I think my paper provoked some challenging debate.

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THEY HAVE HEDGES - WE GET FENCES: A conversation about working class childhoods

THEY HAVE HEDGES - WE GET FENCES: A conversation about working class childhoods

This is a (slightly edited) transcript of a Twitter conversation which stemmed from the guest blog by @Rattlecans entitled Old Space Taken.  The conversation is about memories of living on council estates and anger at what's happened since...

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ASHwash: Architects for Social Housing AND for Establishment Values?

ASHwash: Architects for Social Housing AND for Establishment Values?

This blog post is about ASH - Architects for Social Housing.  It uncovers a different side to ASH's founder that is rooted in the establishment and seeks to work with local councils to promote citizenship and art as a public good.  It suggests that these values (and others) are at odds with the aggressive and passionately political persona often adopted by ASH.  ASH's work has been outstanding but is it all it appears?

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Artwashing: From Mining Capital to Harvesting Social Capital - Cardiff presentation

Artwashing: From Mining Capital to Harvesting Social Capital - Cardiff presentation

I did a talk at Diffusion 'Revolution' Festival Symposium at Cardiff University today.  I've uploaded my presentation with notes here.  Click the link below to read it and remember to turn notes on in bottom right hand corner of presentation when it loads...  The talk is called Artwashing: From Mining Capital to Harvesting Social Capital.

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