This is the text from my workshop “Caught doing social work?” which was part of Manifesta 12’s M12 Education Club conference in Palermo on 19th October 2018. The workshop was held in the community centre in the ZEN social housing project. The text was used as mini provocations which led to a really interesting discussion about instrumentalism of the arts and artists, gentrification and artwashing.Read More
I am reposting this article which was originally published by Bella Caledonia here because it formed the basis for my keynote speech at Lancashire Arts Exchange along with the film A Cacophony of Crows which you can see here. It deals with the artwashing of Robin Hood Gardens by state agent, the V&A.Read More
This is a film about V&A’s crass exploitation of council housing following its “acquisition” if some pieces of Robin Hood Gardens in the Labour controlled London borough of Tower Hamlets - a once iconic council housing estate that is being demolished to make way for luxury apartments. It was part of my keynote given as part of Lancashire Arts Exchange on 8th November 2018. I explored how this example of state-led artwashing relates to David Harvey’s arguments around how neoliberalism uses creative destruction and arts/culture/media as a means of re-enforcing class domination.Read More
This is a film with narrative from a performance I gave in Belfast earlier this year about neoliberalism, instrumentalism and cultural democracy.
“We must trust in our individual and collective selves. We must remember our struggles. We must remember that official arts and culture and, for that matter, the creative industries, reflects only one rather small part of our arts and culture. We do not live in a cultural democracy. The cuts to state-sanctioned arts and cultural production makes this assertion starker as each day passes… And cultural policy, like fortune, has always favoured the rich and powerful.”Read More
I am publishing the first chapter from my unpublished book New Bohemias: Artists, Hipsters and Gentrification in six parts - one a day from today onwards. I published the book introduction earlier today. A longer section of this chapter "Old Bohemias" will be published tomorrow...Read More
I began writing a book about artists and hipsters and gentrification. It's a follow on from my article in the Guardian titled Hipsters and artists are the gentrifying foot soldiers of capitalism. The book remains unwritten although this is the introduction to the book proposal.
I will publish the first chapter, "Changing places – from Old Bohemias to New Bohemias", in 6 instalments beginning with the chapter introduction this afternoon then the following subsections one a day from tomorrow onwards: "Old Bohemias"; "Hipsters - Gentrification's Leeches and Parasites"; "New Bohemias"; "Gentrification"; and, finally, "Revenge of the Middle-Classes".Read More
This is the test recording of my paper given at Birkbeck (see previous blog post). It features film and a test recording of me reading from the paper. It contains bits of William Blake, Half Man Half Biscuit and a Trip to Trumpton...Read More
I took part in Communalities, urbanities and artistic commonalities - a symposium at Birkbeck School of Arts on 5th June 2018. This is a transcript of my talk. I billed it as the meeting of William Blake and Half Man Half Biscuit via a trip to Trumpton. There's a video to accompany the talk which I'll upload soon...Read More
I was really privileged to be invited to take part in What Next for the Arts? - an afternoon symposium which was part of the Cathedral Quarter Arts Festival - on 12th May 2018. As I like to do whenever I get the chance nowadays, I performed the piece with accompanying film and audio. This is the transcript... A test recording of the film will be uploaded soon...Read More
I was invited to participate in the final day of Imagined Biennales which was produced by the University of Southampton at Tate Exchange on 13th May 2018. I wrote SPEAR THISTLE a non-manifesto for an Anti-Biennial. This is the transcript of my piece which I performed as a prose poem at the event.Read More