This is the text from my talk for the Market Forces event at the Swap Market Govanhill in Glasgow on 18th July 2019. It looks at the role artists play in the game of neoliberal planned gentrification.Read More
This is my attempt to explain the horror I feel witnessing the crass appropriation of a boat on which over 800 people (lumped together under the universally belittling term “migrants”) died when it sank in 2015 as an art object at this year’s Venice Biennale. I’m REALLY angry!Read More
The struggle for cultural democracy is part of our fight back against those who have always sought to keep us down – who have always told us: “KNOW YOUR PLACE!”
I know my place: it’s called HOME. We all have homes of one sort or another. And home is where we start from. Not art galleries or spectacles or museums or whatever else we are told are “cultured” places. HOME. This is the place where we build our own cultures, our way.Read More
I am reposting this article which was originally published by Bella Caledonia here because it formed the basis for my keynote speech at Lancashire Arts Exchange along with the film A Cacophony of Crows which you can see here. It deals with the artwashing of Robin Hood Gardens by state agent, the V&A.Read More
This is a film about V&A’s crass exploitation of council housing following its “acquisition” if some pieces of Robin Hood Gardens in the Labour controlled London borough of Tower Hamlets - a once iconic council housing estate that is being demolished to make way for luxury apartments. It was part of my keynote given as part of Lancashire Arts Exchange on 8th November 2018. I explored how this example of state-led artwashing relates to David Harvey’s arguments around how neoliberalism uses creative destruction and arts/culture/media as a means of re-enforcing class domination.Read More
This is a film with narrative from a performance I gave in Belfast earlier this year about neoliberalism, instrumentalism and cultural democracy.
“We must trust in our individual and collective selves. We must remember our struggles. We must remember that official arts and culture and, for that matter, the creative industries, reflects only one rather small part of our arts and culture. We do not live in a cultural democracy. The cuts to state-sanctioned arts and cultural production makes this assertion starker as each day passes… And cultural policy, like fortune, has always favoured the rich and powerful.”Read More
I was really privileged to be invited to take part in What Next for the Arts? - an afternoon symposium which was part of the Cathedral Quarter Arts Festival - on 12th May 2018. As I like to do whenever I get the chance nowadays, I performed the piece with accompanying film and audio. This is the transcript... A test recording of the film will be uploaded soon...Read More
I was invited to participate in the final day of Imagined Biennales which was produced by the University of Southampton at Tate Exchange on 13th May 2018. I wrote SPEAR THISTLE a non-manifesto for an Anti-Biennial. This is the transcript of my piece which I performed as a prose poem at the event.Read More
This is the transcript and presentation with notes from my talk at Panda (The Performing Arts Network) in Manchester on 28th March 2018. The event was a celebration of the network's 15 years working with artists and communities but it was also tinged with sadness as they announced that they were unable to continue to operate due to the toxic arts funding environment and local council cuts. I spoke of two songs with two very different fields and two very different chains.
The first is the song of neoliberal state-sanctioned power and control; of compliance and conformity; of commerce and economics. This is the siren song of austerity and the systematic destruction of our communities, of our lives. This is the song that has sunk so many hopes and dreams.
The second song is that of childhood, of freedom, of creativity, of disobedience, of hope.Read More
This blog is a brief response to the artwashing of the Great Exhibition of the North, particularly the inclusion of BAE Systems as a "premier partner" of the event, which is billed as the UK's biggest event for 2018. There's a campaign to force event organisers to remove BAE Systems from the list of sponsors and I'm a member, but I want to consider the following questions in relation to the scandal: a) Who really organises the exhibition? b) Where is the money coming from? c) Who decides on sponsors? I suggest the arts community in the North East may have had little, if any choice in the decision to brand the event with a weapons manufacturer with a terrible reputation.Read More
This article was first published in print in Sluice Magazine and then on their website in 2017. I've decided to publish it on my website because I hope its content still resonates in 2018. It addresses issues of instrumentalism in the arts, artwashing, living creatively and cultural democracy. As I wrote in 2017, I believe "it is still possible to conceive of art as part of living creatively, as part of everyday life, as local cultural democracy, as artistic autonomy." It's time to talk about how...Read More
I was kindly asked to talk alongside Labour MP Laura Pidcock, Jessie Jo Jacobs (Policy and Campaigns Officer, Northern TUC) and Ramona McCartney (National Officer for the People's Assembly) at the People's Assembly event, "In Place of Austerity", in Newcastle on 20th January 2018. It was an incredibly inspiring day! This is the transcript for my talk...Read More
Plans to redevelop Elephant and Castle shopping centre and the surrounding area by tax-avoiding, Tory-supporting property developer Delancey and London College of Communication/University of the Arts London where rejected (subject to confirmation on 30th January 2018) by Southwark Council’s planning committee. It is understandable that arch-capitalists Delancey (owned by the notorious father and son property development partnership, the Ritblats) aren’t interested in local people and local communities, but what’s with LCC/UAL? Why would a top arts and design institution behave so aggressively to existing community members? The connections between the Ritblats and the Vice Chancellor of UAL are interesting. They reveal how the corporate takeover of high education and the arts are intersecting with the corporate takeover of our communities and our land.Read More
This is a video recording of my lecture entitled Rethinking the role of artists in regeneration contexts. It was recorded at Northumbria University on 24th November 2017. Includes a short Q&A at the end.Read More