I believe that there is not enough emphasis placed upon understanding the theoretical and historical perspectives and contexts of 'participation' that are, for me, crucially important to both practice and research that engages with people, place, power and politics.  Similarly, I also believe that, whilst this field is situated within 'the social', there is not enough emphasis on how practice and research may fit with broader understandings of art and society, nor, for that matter, with wider theoretical from other interrelated disciplines.  Too often I attend conferences or read articles about socially engaged art, participatory art and Creative People and Places only to find an often insular, narrow discussion of practice which often is positioned within existing frameworks of practice and research which themselves are often ultimately defined by the state.

This article therefore attempts to open up new ways of thinking about community development and social engagement in art programmes like Creative People and Places.