This is a repost (with permission) of Martyn Reed’s powerful recent post on Facebook. Reflecting at first upon Nuart’s recent struggle with Stavanger authorities to overturn a decision to significantly reduce funding for the globally important Street Art festival, Martyn calls for artists of all kinds to organise together collectively as a radical act so that we create the changes needed in our post-Covid lives.
Street art is an essential part of the Creative Class narrative. Every city has ‘up-and-coming’ areas clad from shop shutters to back alleys, sides of dilapidated buildings to shifty-looking subways, in what has become known as street art. This article argues that the now almost globally ubiquitous street art ‘movement’ has evolved from its roots in class and race conflict and anti-gentrification activism to become a perfect foil for neoliberal capitalism, forming a ‘gritty’ yet colourful backdrop to the Creative City ‘New Bohemias’ that seem to pop-up in every city, everywhere on the planet: a perfect tool in gentrifiers’ artwashing arsenals.… READ MORE
This is the transcript from my keynote speech at Nuart Festival in Stavanger on 8th September 2019. It explores nostalgia narratives in Street Art and examines the practice’s links to gentrification. But perhaps we’re all gentrifiers nowadays?