Two new reports were recently released about how the arts and creativity might engage with society and communities in more meaningful ways. The first was Rethinking Relationships – an enquiry into the civic role of arts organisations commissioned by the Calouste Gulbenkian Foundation; the second was Towards cultural democracy, commissioned by Kings College London. … READ MORE
An old post for a new blog
This was my prosecution witness statement from the excellent Participation on Trial event organised by the lovely Chrissie Tiller and Goldsmiths from May 2015.
think it remains as relevant to me as it did more than a year ago but I would say that I was a little over-generous in my support for socially engaged art – a term now so completely appropriated by the Institution of Art that it effectively is THE SAME AS participatory art. … READ MORE
I went along to What Next? Newcastle Gateshead’s The future of culture in the North East: What, Who, When? event at Dance City in Newcastle last Friday (11th December 2015). I have been attending some of their weekly meetings and have felt that, like the North East Cultural Partnership, the agendas are always set and dominated by large arts institutions. … READ MORE
The art world’s such a fickle place. Buzzword after buzzword follows business metaphor upon business metaphor. Right now, the UK arts and cultural world is apparently ‘waking up’ to inequality. The art world’s unequal THEY say. We need diversity THEY say.
Academics wonder if this inequity is a class, race, gender thing. … READ MORE
There are three distinct perspectives about how to sustain systems: make existing structures stronger through a myriad of methods of organisational change; support the development of a limited number of new organisations who will either gently become part of the existing structures or quietly fail; or, like obsolete power stations, demolish the old monolithic structures to make way for a new wave.