This review was first published in November 2017 for Artworks Alliance. It was the first review of the book which is published by Bloomsbury and can be purchased here. I am publishing it on my blog in the hope of stimulating new discussion around cultural democracy, community arts and everyday art and creativity – an area I’m working on quite a lot at the moment.READ MORE

I believe that there is not enough emphasis placed upon understanding the theoretical and historical perspectives and contexts of ‘participation’ that are, for me, crucially important to both practice and research that engages with people, place, power and politics.  Similarly, I also believe that, whilst this field is situated within ‘the social’, there is not enough emphasis on how practice and research may fit with broader understandings of art and society, nor, for that matter, with wider theoretical from other interrelated disciplines. READ MORE

ABSTRACT  

This article seeks to reveal the limitations of state-initiated arts and cultural projects as well as spurious notions of ‘empowerment’ by examining them in terms of homogeneity, universality and technocracy.  It focuses on issues of instrumentalism with the arts and explores how state-initiated ‘community engagement’ programmes like Creative People and Places may effectively reproduce state agendas linked to social capital theory and thereby to neoliberalism. … READ MORE

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Nationalistic Fun Palace, 2016 Nationalistic Fun Palace, 2016

Nationalistic Fun Palace, 2016

A new year.  A cultural event.  Not all cultures.  Our culture’s.

Traditionally, at least in our culture, a time of misadvised, soon misplaced resolutions.  Most are very personal.  The one I want to talk about here is “for everyone”.  Yes, that’s right, everyone!  It’s an all-inclusive provocation. … READ MORE


arts on trial, May 2015 arts on trial, May 2015

An old post for a new blog

This was my prosecution witness statement from the excellent Participation on Trial event organised by the lovely Chrissie Tiller and Goldsmiths from May 2015.

think it remains as relevant to me as it did more than a year ago but I would say that I was a little over-generous in my support for socially engaged art – a term now so completely appropriated by the Institution of Art that it effectively is THE SAME AS participatory art. READ MORE

This is the fifth post taken from my draft literature review which is part of my on going PhD research centred around the question: Can participatory art support sustainable social change?  Previous posts are below.  This is a rough and ready document I just wanted to put out there.  It will be refined. … READ MORE

Firenze-Denaro-Botticelli In attempting to look at whether participatory art can support sustainable social change, it is probably worth exploring different perspectives relating to this question.  So I’ll start by looking at different approaches to sustainability of arts practice.  Future posts will then attempt to define participatory arts and concepts of social change. … READ MORE

Firenze-Denaro-Botticelli In attempting to look at whether participatory art can support sustainable social change, it is probably worth exploring different perspectives relating to this question.  So I’ll start by looking at different approaches to sustainability of arts practice.  Future posts will then attempt to define participatory arts and concepts of social change. … READ MORE

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Participatory arts or, more precisely, socially engaged arts practice is resurgent. Participation in the arts is, like many times in the past since the Victorian era, being promoted as a panacea for many of the issues facing our communities.  New initiatives such as ArtWorks , Cultural Value Project and Participation & Engagement in the Arts seek a sea change in UK cultural and educational settings. … READ MORE