This is a little part of a draft section of my PhD thesis.  It examines Creative People and Places, particularly, their People, Place, Power: Increasing Arts Engagement conference, suggesting empowerment may not be all it’s cracked up to be, especially when ‘delivered’ by state-sanctioned, instrumentalising arts organisations and artists – the foot soldiers of state social art provision…

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Street Art Heroes , Alex Senna, Cultural Spring, Creative People and Places project in Sunderland and South Tyneside, 2016.  Interestingly, Senna's work adorns gentrified streets in Camden and Shoreditch as well as art fairs and other places around the world...  Another foot soldier of gentrification? Street Art Heroes , Alex Senna, Cultural Spring, Creative People and Places project in Sunderland and South Tyneside, 2016.  Interestingly, Senna's work adorns gentrified streets in Camden and Shoreditch as well as art fairs and other places around the world...  Another foot soldier of gentrification?

Street Art Heroes, Alex Senna, Cultural Spring, Creative People and Places project in Sunderland and South Tyneside, 2016. 

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This is a copy of my abstract submitted for the forthcoming Creative People and Places conference entitled (unbelievably) People, Place, Power.  It was rejected.  Perhaps it was not academic enough or badly written?  Or perhaps it might have been a little challenging for some panel members?  Anyway, I stand by my words…

Make a Wish, Bentley Street Art, Right Up Our Street

Make a Wish, Bentley Street Art, Right Up Our Street, Doncaster. … READ MORE

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Ken Saro-Wiwa Memorial Bus, large format digital print, part of Doing Nothing is Not an Option, Michael McMillan and Platform London, Peckham Platform, 2015

 

I was, like Anthony Schrag (and others I know), infuriated by the recent ArtWorks Conversation at BALTIC 39.  Anthony has written a little about the pairing of Ilana Mitchell (Wunderbar and other things) and Darren O’Donnell (Mammalian Diving Reflex) today in a piece entitled The Value Rant , but his rant was not at them and not (directly) at ArtWorks or their ‘critical conversations’. … READ MORE

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Doctor Faustus in a magic circle, Woodcut, 1648

I have always been perplexed when people talk of “quality”.  It’s a strangely powerful word, given that it is essentially neutral.  Colloquially, people say things like, “He’s a quality player,” meaning that the person has an excellent footballing attribute (or attributes): goal scoring, tackling, whatever. … READ MORE

I was asked to present a brief précis of my current research at Northumbria University last week.  I thought it might be of interested to some people.  So here it is.  It’s an edited version of the presentation.  The images are a mix of my own, from my case studies and old film stills.READ MORE

I was invited to talk about The New Rules Of Public Art at The Stove’s Parking Space event on Friday.  Stayed around for some of Saturday too…

Amazing people. Great atmosphere and spirit. Nice art, films and participation. All in a disused but still open NCP multistorey car park in the heart of the Scottish town of Dumfries…

Thank you for inviting me!… READ MORE

Yesterday, 9th September 2014, I attended Pilots to Practice at BALTIC – a ArtWorks North East conference about participatory arts.  I presented a PechaKucha entitled above ground level: old as new, new as old – social practice in a post-industrial port (see my previous post below for the presentation).  I also wrote a review of an ArtWorks publication about research into participatory artists’ practice for the #culturalvalue initiative. … READ MORE

This is my presentation for Paul Hamlyn ArtWorks North East ‘Pilots to Practice’ conference at BALTIC.  I gave this as a PechaKucha – using a narrative performance style of delivery.

It’s about dot to dot active arts’ current project, ‘above ground level’, taking place in Blyth, Northumberland.

Please make sure you use notes button at bottom right of window. … READ MORE

This is a reblog of a post I wrote for #culturalvalue initiative which was first published on 2nd September 2014.

This was Eleonora Belfiore’s introduction…

Our regular contributor Stephen Pritchard has kindly agreed to review for The #culturalvalue initiative ‘Evaluation Survey of Artists’, a recent report by ArtWorks, one of the Paul Hamlyn’s Foundation’s Special Initiatives.

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This blog post is a transcript of an interview that was never published.  The interviewer asked five questions.  I answered.

 

Can art be an effective way of bringing about social change? If so, any examples? In what ways can it improve people’s lives?

There are many in the arts world who believe art can deliver social change.… READ MORE