Did Assemble really play such a big part in Granby 4 Streets? How ‘community-led’ was the project? What was the role of the Community Land Trust? How did Assemble come to win the Turner Prize 2015? Who were the private social investors and what did they do to help make the project happen?… READ MORE
I’m an art historian. A critical art historian. Context is as important as text (artwork) to me. Works of art, whether “art” made by “artists” or “not-art” made by “not-artists”, “fine art” or “craft” or “popular”, object- or process-based, aesthetic or anti-aesthetic, must be carefully considered for the functions they play within and their interactions with the art world (or art system) and, far more importantly, their broader social and cultural contexts. … READ MORE
Dotto, Courtesy of The Black-E.
I asked the two questions in my title as an immediate response to a panel entitled ‘What kind of organisation do we need to develop to work with communities…?’ The problem seemed obvious; becoming increasingly apparent as the Community Arts? Learning from the Legacy of Artists’ Social Initiatives conference (part of Liverpool Biennial’s programming) progressed. … READ MORE