I wrote this article for Super Slow Way, the Creative People and Places programme in Pennine Lancashire. I’m their critical friend. This is a reflection on where Super Slow Way are now and where I think they’re going.
Here’s the opening paragraph:
‘Creative People and Places has shackled itself to a notion of “place” as an area on a map.
As part of my work as critical friend for Creative People and Places project Super Slow Way, I decided to spend two days exploring as much of the festival as possible. My review focuses on what were, for me, the stand-out exhibitions and explores why it felt like the British Textile Biennial felt like two festivals in one.… READ MORE
I visited Super Slow Way in June and July this year. This blog post reflects those visits and begins to pose a question at the heart of my role as critical friend for the Creative People and Places project.
This is the second of my blogs about my experiences of being a “properly critical critical friend” for Creative People and Places project, Super Slow Way. I talk about my experiences of spending time with artists Claire Wellesley Smith and Jamie Holman.
Gatty Park, Accrington. Early morning. A warm welcome to the side of Elmfield Hall.… READ MORE
I’m very excited to be Super Slow Way’s critical friend. I have been critical of Creative People and Places in the past but have always been intrigued by Super Slow Way – its team and its approach to programming. This is the first blog post about my experiences.
I believe that there is not enough emphasis placed upon understanding the theoretical and historical perspectives and contexts of ‘participation’ that are, for me, crucially important to both practice and research that engages with people, place, power and politics. Similarly, I also believe that, whilst this field is situated within ‘the social’, there is not enough emphasis on how practice and research may fit with broader understandings of art and society, nor, for that matter, with wider theoretical from other interrelated disciplines. … READ MORE
This article seeks to reveal the limitations of state-initiated arts and cultural projects as well as spurious notions of ‘empowerment’ by examining them in terms of homogeneity, universality and technocracy. It focuses on issues of instrumentalism with the arts and explores how state-initiated ‘community engagement’ programmes like Creative People and Places may effectively reproduce state agendas linked to social capital theory and thereby to neoliberalism. … READ MORE
This is part two of a three-part series of posts about Opportunity Areas. Part one is here.
Part two explores Sarah Butler’s work in a little more detail. Creative consultations, writing stories for Creative People and Places, advocacy of socially engaged writing as part of regeneration agendas, poetry hoardings ‘covering’ demolished social housing sites whilst new builds spring up and working for the New Deal for Communities. … READ MORE
This is a little part of a draft section of my PhD thesis. It examines Creative People and Places, particularly, their People, Place, Power: Increasing Arts Engagement conference, suggesting empowerment may not be all it’s cracked up to be, especially when ‘delivered’ by state-sanctioned, instrumentalising arts organisations and artists – the foot soldiers of state social art provision…
This is a copy of my abstract submitted for the forthcoming Creative People and Places conference entitled (unbelievably) People, Place, Power. It was rejected. Perhaps it was not academic enough or badly written? Or perhaps it might have been a little challenging for some panel members? Anyway, I stand by my words…
Make a Wish, Bentley Street Art, Right Up Our Street, Doncaster. … READ MORE