I had a conversation with fellow artist Martin Daws back in 2016. He had a great idea. imagine if artists were employed, full-time to work in communities? We worked on it. Martin then wrote a guest blog here in 2017.

This article sets out how we could easily and relatively cheaply employ artists in everyday community and how such a simple, yet radical system would create just the sort of transformative cultural change that is at the heart of Arts Council England’s new 10-year strategy, Let’s Create.READ MORE

There’s been a lot written about Boiler Room’s involvement with Notting Hill Carnival and its future funding from Arts Council England’s Ambition For Excellence programme to produce a film about the event.  I do not intend to rehearse those discussions here.  There have been many valid points raised on both sides of the argument. … READ MORE

Tell me again, why do you want to work in Stockton? asks ARC Stockton chief executive Annabel Turpin.  Of course, this question could apply anywhere and, I argue here, it could also be applied more deeply, perhaps.

Annabel Turpin’s blog about the invasion of London arts organisations in ‘the regions’ reflects a growing sense of frustration within regional arts organisations who feel they are not treated as equals in many such ‘partnerships’. … READ MORE

NPG x184224; Aneurin Bevan; Jennie Lee

It’s been almost 50 years since Jennie Lee published her white paper A Policy for the Arts – The First Steps (1965). It was Britain’s first state arts policy. Some revere it. For others, the white paper ushered in a period of government instrumentalism in the arts, increasing the powerful influence of the Arts Council.… READ MORE