Tell me again, why do you want to work in Stockton? asks ARC Stockton chief executive Annabel Turpin.  Of course, this question could apply anywhere and, I argue here, it could also be applied more deeply, perhaps.

Annabel Turpin’s blog about the invasion of London arts organisations in ‘the regions’ reflects a growing sense of frustration within regional arts organisations who feel they are not treated as equals in many such ‘partnerships’. … READ MORE

This blog post is a first draft of a spoken word performance script as yet unperformed. It is inspired by a ludicrous reference in this blog about the ludicrous forced adoption of Quality Metrics by Arts Council England.  Simon Mellor is their Executive Director.  He makes rather odd reference to Harold Pinter’s he Birthday Party (1957), a play that is, of course, all about the killing of individuality, of an individual at the hands of Kafkaesque state conformity; about conformist brainwashing and execution. … READ MORE

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Hipster Police Hipster Police

Hipster Police

This is my first article for The Guardian Comment is Free section.  I’ve added my own pic here…

It’s a response to Matt Hancock’s recent maiden speech about UK arts and culture in which he said, “The hipster is a capitalist.”

I’d love your feedback…

CLICK HERE TO READ MY ARTICLE ON THE GUARDIAN WEBSITE READ MORE

http://eil.com/images/main/The+The+Heartland+109120.jpg

Arts Council EnglandBeneath the old iron bridges, across the Victorian parks
And all the frightened people running home before dark
Past the Saturday morning cinema that lies crumbling to the ground
And the piss stinking shopping center in the new side of town
I’ve come to smell the seasons change and watch the city
As the sun goes down again

Here comes another winter of long shadows and high hopes
Here comes another winter waitin’ for utopia
Waitin’ for hell to freeze over

This is the land where nothing changes
The land of red buses and blue blooded babies
This is the place, where pensioners are raped
And the hearts are being cut from the welfare state
Let the poor drink the milk while the rich eat the honey
Let the bums count their blessings while they count the money

So many people can’t express what’s on their minds
Nobody knows them and nobody ever will
Until their backs are broken and their dreams are stolen
And they can’t get what they want then they’re gonna get angry

Well it ain’t written in the papers, but it’s written on the walls
The way this country is divided to fall
So the cranes are moving on the skyline
Trying to knock down this town

But the stains on the heartland, can never be removed
From this country that’s sick, sad, and confused

Here comes another winter of long shadows and high hopes
Here comes another winter waitin’ for utopia
Waitin’ for hell to freeze over

The ammunition’s being passed and the lords been praised
But the wars on the televisions will never be explained
All the bankers gettin’ sweaty beneath their white collars
As the pound in our pocket turns into a dollar

This is the 51st state of the U.S.A.… READ MORE

Clambering men in big bad boots
Dug up my den, dug up my roots.
Treated us like plasticine town
They build us up and knocked us down.

 

From Meccano to Legoland,
Here they come with a brick in their hand,
Men with heads filled up with sand,
It’s build.

 

Chorus:
It’s build a house where we can stay,
Add a new bit everyday.

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Michael Landy, Cor! What a Bargain! 1992

Cor! What a Bargain! Michael Landy, 1992

Liz Hill’s revelations about the National Funding Scheme in Arts Professional this week are undoubtedly shocking. How has the art world reacted to the exposé? Almost blanket silence. Any interest from the national press? Nope. Not yet. This silence typifies an arts establishment that happily trumpets any ‘positive’ news about the arts but increasingly closes ranks whenever there’s a whiff of failure or scandal.… READ MORE

What a week.  A great week.  A deeply challenging week.  A week which saw me invited to Arts Council England’s HQ in Bloomsbury Street, London, thanks to CidaCo and Anamaria Wills in particular, to present a resilience lab to almost thirty people from arts organisations from Birmingham and South East London. … READ MORE

This is my presentation for Paul Hamlyn ArtWorks North East ‘Pilots to Practice’ conference at BALTIC.  I gave this as a PechaKucha – using a narrative performance style of delivery.

It’s about dot to dot active arts’ current project, ‘above ground level’, taking place in Blyth, Northumberland.

Please make sure you use notes button at bottom right of window. … READ MORE

As founder of dot to dot active arts CIC – a member organisation for socially engaged artists and arts workers that’s fiercely independent and always grassroots – I’m committed to working with communities and our artists to develop new ideas to mix art and life openly and honestly.  We worked in Blyth, Northumberland last year, met loads of really interesting and desperately passionate people, did some great participatory art, revived empty shops. … READ MORE

I attended a workshop at the University of Warwick on 9th July about Co-producing cultural policy.  The day was very, very interesting and frustrating at times.  I was guest blogger.  I wrote this.  It was originally published here: http://coculturalpolicy.blogspot.co.uk/2014/07/cultural-value-and-economic-and-social.html

 

A morning of valuing artists, museums as co-producers of ‘social justice’ and cultural value as power, followed with an afternoon workshop about value and impact.… READ MORE