Perhaps, it’s time for artists to learn from the COVID-19 Mutual Aid groups that are self-organising and self-seeding across the UK and the globe? Imagine if artists set up local Artists’ Mutual Aid groups to support each other through these difficult times; to begin setting out ways of speaking to power with coherent voices; to start using art to demand radical changes to the way we work and live together.

READ MORE

DUTY NOW FOR THE FUTURE

 

This is a revised version of Duty Now for the Future an article commissioned by Collecteurs NY to help launch its SUBSTANCE 100 initiative . The original article was written before the COVID-19 pandemic swept through the UK , Europe and the USA. Duty Now for the Future 2.0 is a call for everyone in the art world to finally wake up to our responsibilities in a world there can be no going back to the crass inequity of our lives before Corona virus.

READ MORE

This is my take on why only cooperation and federalism and democratic, participatory community development can begin to heal the divisions that exist in our communities. For me, the Labour party have lost any connection to its roots, so we need to radically renew the idea of working-class movements by ending the elite electoral machines that never listen and that reproduce the very conditions of our oppression that they claim to oppose.READ MORE

This is a transcript of my keynote at the British Textile Biennial which took place on 1st November 2019. I performed the keynote to a film. I’ve included some of the videos featured. The Doves’ songs were played in full, the others only extracts. I’ve also included an audio recording that you can listen to here .READ MORE

This is a personal call for solidarity and collective support at this time of darkness and disarray. We are stronger together. Can we come together?

View fullsize


Dante running from the three beasts , William Blake (between 1824 and 1827). Dante running from the three beasts , William Blake (between 1824 and 1827).

Dante running from the three beasts, William Blake (between 1824 and 1827).

WE NEED A MOVEMENT OF CULTURAL MOVEMENTS NOW!

Our cultures are nothing without their communities and groups and collectives, their ideas and creativity and passionate pride, and, most importantly, the people who make our cultures: everyone, every day.… READ MORE

This is the text from my talk for the Market Forces event at the Swap Market Govanhill in Glasgow on 18th July 2019. It looks at the role artists play in the game of neoliberal planned gentrification.


Screenshot (129).png Screenshot (129).png

THE HYPER-MARKET STRIKES BACK!

Today, artists are portrayed by the creative industries as exemplars of a new class of creative entrepreneurs.… READ MORE

I was really privileged to be invited to take part in What Next for the Arts? – an afternoon symposium which was part of the Cathedral Quarter Arts Festival – on 12th May 2018.  As I like to do whenever I get the chance nowadays, I performed the piece with accompanying film and audio.READ MORE

I was invited to participate in the final day of Imagined Biennales which was produced by the Winchester School of Art at Tate Exchange on 13th May 2018. I wrote SPEAR THISTLE a non-manifesto for an Anti-Biennial. This is the transcript of my piece which I performed as a prose poem at the event.READ MORE

This is the transcript and presentation with notes from my talk at Panda (The Performing Arts Network) in Manchester on 28th March 2018. The event was a celebration of the network’s 15 years working with artists and communities but it was also tinged with sadness as they announced that they were unable to continue to operate due to the toxic arts funding environment and local council cuts.READ MORE

This article was first published in print in Sluice Magazine and then on their website in 2017. I’ve decided to publish it on my website because I hope its content still resonates in 2018. It addresses issues of instrumentalism in the arts, artwashing, living creatively and cultural democracy. As I wrote in 2017, I believe “it is still possible to conceive of art as part of living creatively, as part of everyday life, as local cultural democracy, as artistic autonomy.”… READ MORE