This new guest post by Nick Mahony, Stephanie Bolt and Russell Todd, argues that the people excluded by “arts and culture” in the UK are the same people who are all too often excluded from and marginalised by everyday life . They argue that now – as we approach the 100th anniversary of Raymond Williams’ birth – is the time to rediscover his radical calls for collectively creative, democratic change at every level of our society.

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Perhaps, it’s time for artists to learn from the COVID-19 Mutual Aid groups that are self-organising and self-seeding across the UK and the globe? Imagine if artists set up local Artists’ Mutual Aid groups to support each other through these difficult times; to begin setting out ways of speaking to power with coherent voices; to start using art to demand radical changes to the way we work and live together.

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This is a guest blog by curator and researcher Ghazaleh Zogheib. It’s a review of Gil Mualem-Doron’s exhibition Cry, the Beloved Country.

 

Dr. Gil Mualem-Doron (1970) is an Arab-Jewish artist, born and based in the UK. His work is research-based, often collaborative and focuses on issues such as identity politics, nationalism, placemaking and histories of place, social justice, and transcultural aesthetics.

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KICK UP THE ARTS: ARTS AND CULTURE DURING AND AFTER CORONAVIRUS

 

Last Tuesday evening (5th May), I took part in a discussion about arts and culture during and after Coronavirus. The event was organised by The World Transformed. I’m a strong supporter of this movement. For this session, it asked: “How can arts and cultural workers across the sector find new forms of solidarity during the Coronavirus crisis?

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DUTY NOW FOR THE FUTURE

 

This is a revised version of Duty Now for the Future an article commissioned by Collecteurs NY to help launch its SUBSTANCE 100 initiative . The original article was written before the COVID-19 pandemic swept through the UK , Europe and the USA. Duty Now for the Future 2.0 is a call for everyone in the art world to finally wake up to our responsibilities in a world there can be no going back to the crass inequity of our lives before Corona virus.

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This is my take on why only cooperation and federalism and democratic, participatory community development can begin to heal the divisions that exist in our communities. For me, the Labour party have lost any connection to its roots, so we need to radically renew the idea of working-class movements by ending the elite electoral machines that never listen and that reproduce the very conditions of our oppression that they claim to oppose.READ MORE

This is a transcript of my keynote at the British Textile Biennial which took place on 1st November 2019. I performed the keynote to a film. I’ve included some of the videos featured. The Doves’ songs were played in full, the others only extracts. I’ve also included an audio recording that you can listen to here .READ MORE

This is a personal call for solidarity and collective support at this time of darkness and disarray. We are stronger together. Can we come together?

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Dante running from the three beasts , William Blake (between 1824 and 1827). Dante running from the three beasts , William Blake (between 1824 and 1827).

Dante running from the three beasts, William Blake (between 1824 and 1827).

WE NEED A MOVEMENT OF CULTURAL MOVEMENTS NOW!

Our cultures are nothing without their communities and groups and collectives, their ideas and creativity and passionate pride, and, most importantly, the people who make our cultures: everyone, every day.… READ MORE

This is the text version of my keynote paper I gave at the Culture and the Periphery conference at Gray’s School of Art, Robert Gordon University, Aberdeen on 4th October 2019.

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Screenshot from  Jubilee , Derek Jarman, 1978 (Featuring Borgia Ginz.) Screenshot from  Jubilee , Derek Jarman, 1978 (Featuring Borgia Ginz.)

Screenshot from Jubilee, Derek Jarman, 1978 (Featuring Borgia Ginz.)

LOW CULTURE: NEOLIBERALISM, CONSERVATIVE SOCIAL PRACTICE AND THE UNIVERSAL MARGINALITY OF EVERYDAY LIFE

Marginality is today no longer limited to minority groups, but is rather massive and pervasive; this cultural activity of the nonproducers of culture, an activity that is unsigned, unreadable, and unsymbolized, remains the only one possible for all those who nevertheless buy and pay for the showy products through which a productivist economy articulates itself. … READ MORE