In 2005, three artists, Stephan Dillemuth, and Jakob Jakobsen, wrote There Is No Alternative: The Future is Self-Organised (TINA1). They went on to issue a second call in 2012 with the same title that focused on reclaiming self-organisation from what they saw as several forms of appropriation (TINA2).

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This new guest post by Nick Mahony, Stephanie Bolt and Russell Todd, argues that the people excluded by “arts and culture” in the UK are the same people who are all too often excluded from and marginalised by everyday life . They argue that now – as we approach the 100th anniversary of Raymond Williams’ birth – is the time to rediscover his radical calls for collectively creative, democratic change at every level of our society.

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Why have Arts Council England (ACE) published data and a report about how culture can, apparently, help regenerate high streets now? Particularly given that the report does not even consider the devastating effects of COVID-19 on our everyday lives and, of course, our high streets.

The report, produced by social and economic research consultants Wavehill and entitled Arts and Place Shaping: Evidence Review, was written in May 2020 (when COVID-19 was reaching its first peak) but only published a few days ago.

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This is my take on what rewilding the arts means to me. I wrote this for Rewild the Arts . The original can be found here.

 

 

The nation and many Western countries have successfully suppressed, oppressed and controlled our arts and our cultures: narrowly defining and policing terms and practices, building brick and glass citadels for a wealthy minority and a false vision of economic growth, and creating a hierarchy which places artists as servants and denigrates many working-class communities as “hard to reach” and uncultured.

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Perhaps, it’s time for artists to learn from the COVID-19 Mutual Aid groups that are self-organising and self-seeding across the UK and the globe? Imagine if artists set up local Artists’ Mutual Aid groups to support each other through these difficult times; to begin setting out ways of speaking to power with coherent voices; to start using art to demand radical changes to the way we work and live together.

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This is the transcript of a 4 minute talk I did as the first of The Parallel State ’s RANT series. You can listen to the podcast here .

Remember what is was like to be sung to sleep?

 

Remember what is was like to be sung to sleep. If you are fortunate, the memory will be more recent than childhood.

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mUCH MORE THAN MAKING DO

 

I wrote this article for Super Slow Way, the Creative People and Places programme in Pennine Lancashire. I’m their critical friend. This is a reflection on where Super Slow Way are now and where I think they’re going.

Here’s the opening paragraph:

‘Creative People and Places has shackled itself to a notion of “place” as an area on a map.

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DUTY NOW FOR THE FUTURE

 

This is a revised version of Duty Now for the Future an article commissioned by Collecteurs NY to help launch its SUBSTANCE 100 initiative . The original article was written before the COVID-19 pandemic swept through the UK , Europe and the USA. Duty Now for the Future 2.0 is a call for everyone in the art world to finally wake up to our responsibilities in a world there can be no going back to the crass inequity of our lives before Corona virus.

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I had a conversation with fellow artist Martin Daws back in 2016. He had a great idea. imagine if artists were employed, full-time to work in communities? We worked on it. Martin then wrote a guest blog here in 2017.

This article sets out how we could easily and relatively cheaply employ artists in everyday community and how such a simple, yet radical system would create just the sort of transformative cultural change that is at the heart of Arts Council England’s new 10-year strategy, Let’s Create.READ MORE