I am really pleased to be able to share this extremely powerful, thought-provoking guest blog by Rosie Priest. It’s a personal account of how art can be part of everyday life as well as a challenge to the superficial rhetoric of institutional art as a vehicle for “transformative change”.

Rosie Priest is a PhD candidate at the University of Stirling, working with the National Galleries of Scotland’s outreach programme to explore “Collaborative Art and Transformation”,  whilst also working  as the Creative Learning Associate for Stellar Quines Theatre Company.

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Why have Arts Council England (ACE) published data and a report about how culture can, apparently, help regenerate high streets now? Particularly given that the report does not even consider the devastating effects of COVID-19 on our everyday lives and, of course, our high streets.

The report, produced by social and economic research consultants Wavehill and entitled Arts and Place Shaping: Evidence Review, was written in May 2020 (when COVID-19 was reaching its first peak) but only published a few days ago.

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This is my take on what rewilding the arts means to me. I wrote this for Rewild the Arts . The original can be found here.

 

 

The nation and many Western countries have successfully suppressed, oppressed and controlled our arts and our cultures: narrowly defining and policing terms and practices, building brick and glass citadels for a wealthy minority and a false vision of economic growth, and creating a hierarchy which places artists as servants and denigrates many working-class communities as “hard to reach” and uncultured.

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Perhaps, it’s time for artists to learn from the COVID-19 Mutual Aid groups that are self-organising and self-seeding across the UK and the globe? Imagine if artists set up local Artists’ Mutual Aid groups to support each other through these difficult times; to begin setting out ways of speaking to power with coherent voices; to start using art to demand radical changes to the way we work and live together.

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This is the transcript of a 4 minute talk I did as the first of The Parallel State ’s RANT series. You can listen to the podcast here .

Remember what is was like to be sung to sleep?

 

Remember what is was like to be sung to sleep. If you are fortunate, the memory will be more recent than childhood.

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mUCH MORE THAN MAKING DO

 

I wrote this article for Super Slow Way, the Creative People and Places programme in Pennine Lancashire. I’m their critical friend. This is a reflection on where Super Slow Way are now and where I think they’re going.

Here’s the opening paragraph:

‘Creative People and Places has shackled itself to a notion of “place” as an area on a map.

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DUTY NOW FOR THE FUTURE

 

This is a revised version of Duty Now for the Future an article commissioned by Collecteurs NY to help launch its SUBSTANCE 100 initiative . The original article was written before the COVID-19 pandemic swept through the UK , Europe and the USA. Duty Now for the Future 2.0 is a call for everyone in the art world to finally wake up to our responsibilities in a world there can be no going back to the crass inequity of our lives before Corona virus.

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This is a transcript of my keynote at the British Textile Biennial which took place on 1st November 2019. I performed the keynote to a film. I’ve included some of the videos featured. The Doves’ songs were played in full, the others only extracts. I’ve also included an audio recording that you can listen to here .READ MORE

This is a personal call for solidarity and collective support at this time of darkness and disarray. We are stronger together. Can we come together?

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Dante running from the three beasts , William Blake (between 1824 and 1827). Dante running from the three beasts , William Blake (between 1824 and 1827).

Dante running from the three beasts, William Blake (between 1824 and 1827).

WE NEED A MOVEMENT OF CULTURAL MOVEMENTS NOW!

Our cultures are nothing without their communities and groups and collectives, their ideas and creativity and passionate pride, and, most importantly, the people who make our cultures: everyone, every day.… READ MORE

I visited Super Slow Way in June and July this year. This blog post reflects those visits and begins to pose a question at the heart of my role as critical friend for the Creative People and Places project.


Gatty poster (Courtesy of Claire Wellesley-Smith, 2016, http://www.clairewellesleysmith.co.uk/blog/2016/12/19/madder-root-and-gatty-red). Gatty poster (Courtesy of Claire Wellesley-Smith, 2016, http://www.clairewellesleysmith.co.uk/blog/2016/12/19/madder-root-and-gatty-red).

Gatty poster (Courtesy of Claire Wellesley-Smith, 2016, http://www.clairewellesleysmith.co.uk/blog/2016/12/19/madder-root-and-gatty-red).

How far can you go?

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