In this second guest blog by Stephen Clift, he questions the WHO scoping review of arts and health (Fancourt and Finn, 2019), particularly its headline: ‘Arts ‘crucial’ to reducing poor health and inequality’. Here, Stephen asks if the existing body of evidence really supports such ‘grand claims’.
This guest blog by Dr Stephen Clift calls for a thorough appraisal of research about how art might contribute to health and wellbeing and argues for greater critical debate about arts and health practice and research.
Stephen Clift (BA, PhD, PFRSPH) is Professor Emeritus, Canterbury Christ Church University, and former Director of the Sidney De Haan Research Centre for Arts and Health.
This is a guest blog by curator and researcher Ghazaleh Zogheib. It’s a review of Gil Mualem-Doron’s exhibition Cry, the Beloved Country.
Dr. Gil Mualem-Doron (1970) is an Arab-Jewish artist, born and based in the UK. His work is research-based, often collaborative and focuses on issues such as identity politics, nationalism, placemaking and histories of place, social justice, and transcultural aesthetics.
KICK UP THE ARTS: ARTS AND CULTURE DURING AND AFTER CORONAVIRUS
Last Tuesday evening (5th May), I took part in a discussion about arts and culture during and after Coronavirus. The event was organised by The World Transformed. I’m a strong supporter of this movement. For this session, it asked: “How can arts and cultural workers across the sector find new forms of solidarity during the Coronavirus crisis?
I wrote this article for Super Slow Way, the Creative People and Places programme in Pennine Lancashire. I’m their critical friend. This is a reflection on where Super Slow Way are now and where I think they’re going.
Here’s the opening paragraph:
‘Creative People and Places has shackled itself to a notion of “place” as an area on a map.
This is a revised version of Duty Now for the Future – an article commissioned by Collecteurs NY to help launch its SUBSTANCE 100 initiative. The original article was written before the COVID-19 pandemic swept through the UK , Europe and the USA. Duty Now for the Future 2.0 is a call for everyone in the art world to finally wake up to our responsibilities in a world there can be no going back to the crass inequity of our lives before Corona virus.
Street art is an essential part of the Creative Class narrative. Every city has ‘up-and-coming’ areas clad from shop shutters to back alleys, sides of dilapidated buildings to shifty-looking subways, in what has become known as street art. This article argues that the now almost globally ubiquitous street art ‘movement’ has evolved from its roots in class and race conflict and anti-gentrification activism to become a perfect foil for neoliberal capitalism, forming a ‘gritty’ yet colourful backdrop to the Creative City ‘New Bohemias’ that seem to pop-up in every city, everywhere on the planet: a perfect tool in gentrifiers’ artwashing arsenals.… READ MORE
These are terribly dark and confusing times. Corona Virus has changed everything and it will wreak havoc for months to come at least. It is time to put our creativity to use in our communities. It is time to make solidarity and humanity our art.
I had a conversation with fellow artist Martin Daws back in 2016. He had a great idea. imagine if artists were employed, full-time to work in communities? We worked on it. Martin then wrote a guest blog here in 2017.
This article sets out how we could easily and relatively cheaply employ artists in everyday community and how such a simple, yet radical system would create just the sort of transformative cultural change that is at the heart of Arts Council England’s new 10-year strategy, Let’s Create.… READ MORE
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