Participatory arts or, more precisely, socially engaged arts practice is resurgent. Participation in the arts is, like many times in the past since the Victorian era, being promoted as a panacea for many of the issues facing our communities.  New initiatives such as ArtWorks, Cultural Value Project and Participation & Engagement in the Arts seek a sea change in UK cultural and educational settings.  Research around if and how socially engaged art can ever be truly sustainable at grassroots levels within the communities it seeks to serve is, however, a bit more thin on the ground.

A key value of arts participation is its ability to stimulate creativity within communities developing social capital in so doing.  There are many examples of socially engaging arts projects that, having achieved short-term success, were not sustained.  Clearly, attempts to create social change in communities must focus on both people and places.  As Roberto Bedoya explains so well, participatory art needs to find ways to embed creativity within communities and engage the many disparate elements that define them but UK research in this area is limited and, where existent (like in the recent RSA project in Peterborough), localised.

I believe we need to explore new ways in which participation in art, creativity and place can link to become part of people’s everyday lives, integral to our communities, encouraging long-term social change.  To do this, it may be necessary to completely rethink our current structures for arts provision, to engage people in new ways, to relinquish control, to trust communities more, and a whole lot of other things too.  Sustainability has different meanings and there are many ways to attempt to stimulate sustainable ways of doing things.

This is what I will write about in a series of posts in the coming weeks.  I will ask a number of questions and propose some ways forward.  My immediate thoughts are that participation in the arts may be able to support broader social change in constructive and sustainable ways and that creativity of action and thought may somehow become integral to the futures of people, places and communities.  How this can be developed is uncertain and probably controversial.  We shall see…