Stephen Clift, Kate Phillips and I have just had our article The need for robust critique of research on the social and health impacts of the arts published in Cultural Trends. 

You can read the article online here for free.

We wanted to make sure that our supplementary tables were available for scrutiny and further information.


This is the film of my talk at Imagine Belfast in March 2021. It includes a really interesting Q&A.

I posted the transcript of the talk here.

Apologies for the dodgy sound quality.

I’d love to know what you think, so please feel free to comment below.



This is the transcript of my talk entitled Cultural Democracy, Community Development and the Old/New Normal which I was lucky enough to be given the opportunity to present at the  Imagine Belfast  Festival on 28th March 2021. It’s about re-enchanting our art, cultures and everyday lives.

Sheelagh Colcough, David Boyd, Conor Shields and I had a great conversation after the talk which could have gone on a lot longer.



This guest post by Dr Frances Williams argues that the field of Arts in Health needs safe spaces and new platforms for critical reflection and democratic decision making, particularly when faced with a seemingly rising tide of privatisation of public services.

Dr Frances Williams completed her Phd on the topic of arts, health and devolution at Manchester Metropolitan University in 2019.


This is a repost (with permission) of Martyn Reed’s powerful recent post on Facebook. Reflecting at first upon Nuart’s recent struggle with Stavanger authorities to overturn a decision to significantly reduce funding for the globally important Street Art festival, Martyn calls for artists of all kinds to organise together collectively as a radical act so that we create the changes needed in our post-Covid lives.



In 2005, three artists, Stephan Dillemuth, and Jakob Jakobsen, wrote There Is No Alternative: The Future is Self-Organised (TINA1). They went on to issue a second call in 2012 with the same title that focused on reclaiming self-organisation from what they saw as several forms of appropriation (TINA2).


This new guest post by Nick Mahony, Stephanie Bolt and Russell Todd, argues that the people excluded by “arts and culture” in the UK are the same people who are all too often excluded from and marginalised by everyday life . They argue that now – as we approach the 100th anniversary of Raymond Williams’ birth – is the time to rediscover his radical calls for collectively creative, democratic change at every level of our society.


I am really pleased to be able to share this extremely powerful, thought-provoking guest blog by Rosie Priest. It’s a personal account of how art can be part of everyday life as well as a challenge to the superficial rhetoric of institutional art as a vehicle for “transformative change”.

Rosie Priest is a PhD candidate at the University of Stirling, working with the National Galleries of Scotland’s outreach programme to explore “Collaborative Art and Transformation”,  whilst also working  as the Creative Learning Associate for Stellar Quines Theatre Company.



Why have Arts Council England (ACE) published data and a report about how culture can, apparently, help regenerate high streets now? Particularly given that the report does not even consider the devastating effects of COVID-19 on our everyday lives and, of course, our high streets.

The report, produced by social and economic research consultants Wavehill and entitled Arts and Place Shaping: Evidence Review, was written in May 2020 (when COVID-19 was reaching its first peak) but only published a few days ago.

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