This is my paper I presented alongside Cara Courage and Sir Nick Serota at The Coming Community conference at MK Gallery on 24th May 2019. It followed by, overlaps with, and is linked to the keynote I did the previous day in Berlin ( see previous post ).
DEMAND THE IMPOSSIBLE: NEW COMMUNITIES AND CONCRETE HUMAN EXISTENCE
The UK is facing many crises.… READ MORE
This is my keynote paper I presented at (Im)Possible Complicities conference in Berlin on 23rd May 2019… It overlaps intentionally with the paper I presented the following day in Milton Keynes which was entitled Demand the Impossible and will be posted here next.
PLACE GUARDING: AN END TO THE SLOW VIOLENCE OF CREATIVE PLACEMAKING AND GENTRIFICATION?
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This is my attempt to explain the horror I feel witnessing the crass appropriation of a boat on which over 800 people (lumped together under the universally belittling term “migrants”) died when it sank in 2015 as an art object at this year’s Venice Biennale. I’m REALLY angry!
“OUR BOAT”: ZOMBIE ART BIENNALE TURNS VENICE INTO THE ISAND OF THE LIVING DEAD
“Barca Nostra” was installed at the Arsenale for this year’s Venice Art Biennale a few days ago.… READ MORE
This is my paper given as part of the Movement for Cultural Democracy panel at the Raymond Williams Society Conference in Manchester on 26th April 2019. It’s a mash up of some previous work but I think it is a succinct account of where my thinking is at about cultural democracy and working-class culture.… READ MORE
This is the second of my blogs about my experiences of being a “properly critical critical friend” for Creative People and Places project, Super Slow Way. I talk about my experiences of spending time with artists Claire Wellesley Smith and Jamie Holman.
Gatty Park, Accrington. Early morning. A warm welcome to the side of Elmfield Hall.… READ MORE
I’m very excited to be Super Slow Way’s critical friend. I have been critical of Creative People and Places in the past but have always been intrigued by Super Slow Way – its team and its approach to programming. This is the first blog post about my experiences.
A PROPERLY CRITICAL CRITICAL FRIEND
Super Slow Way is a Creative People and Places project in Pennine Lancashire.… READ MORE
This is rough draft of a paper I’m writing at the moment. I’m becoming increasingly concerned by the infiltration of arts and culture by neoliberal capitalism. The publication of the Cultural Cities Enquiry and launch of London’s Creative Land Trust this week are, I argue, clear examples of the neoliberalisation and corporate takeover of the arts.… READ MORE
“You wanna know my story babe. It’s easy. This is the generation that grew up and forgot to lead their lives. They were so busy watching my endless movie. It’s power babe, power. I don’t create it, I own it. I sucked and sucked and I sucked. The media became their only reality and I owned their world of flickering shadows.… READ MORE
I came across an amazing thread by the Black Socialists of America (BSA) on Twitter . It is really interesting and aligns with many of my own arguments about artwashing and the instrumentalisation of art and artists. BSA gave me permission to reproduce the thread as a blog post. It is essential reading for anyone involved in arts and cultural activities.… READ MORE
This is a copy of my book chapter which was published earlier this year in Creative Placemaking: Research, Theory and Practice (2018). The book is edited by Cara Courage and Anita McKeown and is published by Routledge. It is available to buy here . Thanks to the editors for permitting its reproduction here.… READ MORE