I was invited to attend Storming the Citadels? Changing attitudes and frameworks to arts practices and research in community settings by Sophie Hope. As an admirer of Sophie’s research and a believer in many of the demands made in Owen Kelly’s classic 1984 text Community, Art and the State: Storming the Citadels, I travelled to Bloomsbury, London as a hopeful participant in an outpouring of revolutionary fervour.… READ MORE
Eavesdropping, Aidan Moesby, Vinyl wall text, 2014
I’m intensely interested in perceptions of socially engaged art: past, present and future practice and theory. My research and practice is about exploring the roots of this practice, its place in societies, its ability to open up potential spaces on a myriad of levels from social to personal, and its potential to help support a shift towards a communitarian society free from the evils of neoliberalism.… READ MORE
Cor! What a Bargain! Michael Landy, 1992
Liz Hill’s revelations about the National Funding Scheme in Arts Professional this week are undoubtedly shocking. How has the art world reacted to the exposé? Almost blanket silence. Any interest from the national press? Nope. Not yet. This silence typifies an arts establishment that happily trumpets any ‘positive’ news about the arts but increasingly closes ranks whenever there’s a whiff of failure or scandal.… READ MORE
The art world’s such a fickle place. Buzzword after buzzword follows business metaphor upon business metaphor. Right now, the UK arts and cultural world is apparently ‘waking up’ to inequality. The art world’s unequal THEY say. We need diversity THEY say.
Academics wonder if this inequity is a class, race, gender thing. … READ MORE
I’ve already blogged about the event a little bit and shared my presentation but, as inequality within arts and culture has risen in prominence in the past few days, I thought I would share the film made by CREATEgloucestershire in which I “perform” my provocation.
I delivered this talk about my research to the Northumbria – Sunderland AHRC Centre for Doctoral Training Student Conference on the 1st July 2015 at The BALTIC Centre for Contemporary Art. It’s about negating a negation – negative dialectics. It’s also about some of the potentialities that socially engaged art may be able to explore as part of broader movements for social justice and emancipation from the shackles of our present neoliberal regime.… READ MORE