The Hyper-Market Strikes Back! - Text from my talk for Market Forces at Swap Market, Govanhill...

The Hyper-Market Strikes Back! - Text from my talk for Market Forces at Swap Market, Govanhill...

This is the text from my talk for the Market Forces event at the Swap Market Govanhill in Glasgow on 18th July 2019. It looks at the role artists play in the game of neoliberal planned gentrification.

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Place Guarding: Activist Art Against Gentrification - my book chapter originally published earlier this year in "Creative Placemaking"

Place Guarding: Activist Art Against Gentrification - my book chapter originally published earlier this year in "Creative Placemaking"

This is a copy of my book chapter which was published earlier this year in Creative Placemaking: Research, Theory and Practice (2018). The book is edited by Cara Courage and Anita McKeown and is published by Routledge.

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No Breathing Space: V&A, Artwashing & the Theft of Robin Hood Gardens (a reblog of an article I wrote for Bella Caledonia)

No Breathing Space: V&A, Artwashing & the Theft of Robin Hood Gardens (a reblog of an article I wrote for Bella Caledonia)

I am reposting this article which was originally published by Bella Caledonia here because it formed the basis for my keynote speech at Lancashire Arts Exchange along with the film A Cacophony of Crows which you can see here. It deals with the artwashing of Robin Hood Gardens by state agent, the V&A.

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A Cacophony of Crows - Film about how V&A's theft of a piece of Robin Hood Gardens is artwashing as creative destruction and class redomination

A Cacophony of Crows - Film about how V&A's theft of a piece of Robin Hood Gardens is artwashing as creative destruction and class redomination

This is a film about V&A’s crass exploitation of council housing following its “acquisition” if some pieces of Robin Hood Gardens in the Labour controlled London borough of Tower Hamlets - a once iconic council housing estate that is being demolished to make way for luxury apartments. It was part of my keynote given as part of Lancashire Arts Exchange on 8th November 2018. I explored how this example of state-led artwashing relates to David Harvey’s arguments around how neoliberalism uses creative destruction and arts/culture/media as a means of re-enforcing class domination.

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Gentrification - part 5 of the first chapter of my unpublished book "New Bohemias: Artists, Hipsters & Gentrification"

Gentrification - part 5 of the first chapter of my unpublished book "New Bohemias: Artists, Hipsters & Gentrification"

This is the fifth section of the first chapter of my as yet unpublished book. The conclusion to this sample chapter will be published later today.

See previous posts for earlier sections...

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"Changing places – from Old Bohemias to New Bohemias" - Introduction 1/6 (part 2 tomorrow)

"Changing places – from Old Bohemias to New Bohemias" - Introduction 1/6 (part 2 tomorrow)

I am publishing the first chapter from my unpublished book New Bohemias: Artists, Hipsters and Gentrification in six parts - one a day from today onwards. I published the book introduction earlier today. A longer section of this chapter "Old Bohemias" will be published tomorrow...

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New Bohemias: Artists, Hipsters & Gentrification - an introduction to an unpublished book

New Bohemias: Artists, Hipsters & Gentrification - an introduction to an unpublished book

I began writing a book about artists and hipsters and gentrification. It's a follow on from my article in the Guardian titled Hipsters and artists are the gentrifying foot soldiers of capitalism. The book remains unwritten although this is the introduction to the book proposal.

I will publish the first chapter, "Changing places – from Old Bohemias to New Bohemias", in 6 instalments beginning with the chapter introduction this afternoon then the following subsections one a day from tomorrow onwards: "Old Bohemias"; "Hipsters - Gentrification's Leeches and Parasites"; "New Bohemias"; "Gentrification"; and, finally, "Revenge of the Middle-Classes".

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Extracting New Cultural Value From Urban Regeneration: The Intangible Rise of the Social Capital Artist

Extracting New Cultural Value From Urban Regeneration: The Intangible Rise of the Social Capital Artist

This article was first published in print in Sluice Magazine and then on their website in 2017. I've decided to publish it on my website because I hope its content still resonates in 2018. It addresses issues of instrumentalism in the arts, artwashing, living creatively and cultural democracy. As I wrote in 2017, I believe "it is still possible to conceive of art as part of living creatively, as part of everyday life, as local cultural democracy, as artistic autonomy." It's time to talk about how...

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The Status Quo Will No Longer Do! (The Corporate Takeover of Art & Artwashing, or Social Justice in a Cultural Democracy?)

The Status Quo Will No Longer Do! (The Corporate Takeover of Art & Artwashing, or Social Justice in a Cultural Democracy?)

I was kindly asked to talk alongside Labour MP Laura Pidcock, Jessie Jo Jacobs (Policy and Campaigns Officer, Northern TUC) and Ramona McCartney (National Officer for the People's Assembly) at the People's Assembly event, "In Place of Austerity", in Newcastle on 20th January 2018. It was an incredibly inspiring day! This is the transcript for my talk...

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Old Boys Network: Elite connections can't prevent local people from defeating University of the Arts London & offshore property developer Delancey plan for social cleansing of Elephant & Castle

Old Boys Network: Elite connections can't prevent local people from defeating University of the Arts London & offshore property developer Delancey plan for social cleansing of Elephant & Castle

Plans to redevelop Elephant and Castle shopping centre and the surrounding area by tax-avoiding, Tory-supporting property developer Delancey and London College of Communication/University of the Arts London where rejected (subject to confirmation on 30th January 2018) by Southwark Council’s planning committee. It is understandable that arch-capitalists Delancey (owned by the notorious father and son property development partnership, the Ritblats) aren’t interested in local people and local communities, but what’s with LCC/UAL? Why would a top arts and design institution behave so aggressively to existing community members? The connections between the Ritblats and the Vice Chancellor of UAL are interesting. They reveal how the corporate takeover of high education and the arts are intersecting with the corporate takeover of our communities and our land.

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