I presented this paper at Art and the Urban symposium at Senate House last week. It reflects some of my PhD research.Read More
I was invited to participate in the final day of Imagined Biennales which was produced by the University of Southampton at Tate Exchange on 13th May 2018. I wrote SPEAR THISTLE a non-manifesto for an Anti-Biennial. This is the transcript of my piece which I performed as a prose poem at the event.Read More
I was kindly asked to talk alongside Labour MP Laura Pidcock, Jessie Jo Jacobs (Policy and Campaigns Officer, Northern TUC) and Ramona McCartney (National Officer for the People's Assembly) at the People's Assembly event, "In Place of Austerity", in Newcastle on 20th January 2018. It was an incredibly inspiring day! This is the transcript for my talk...Read More
Plans to redevelop Elephant and Castle shopping centre and the surrounding area by tax-avoiding, Tory-supporting property developer Delancey and London College of Communication/University of the Arts London where rejected (subject to confirmation on 30th January 2018) by Southwark Council’s planning committee. It is understandable that arch-capitalists Delancey (owned by the notorious father and son property development partnership, the Ritblats) aren’t interested in local people and local communities, but what’s with LCC/UAL? Why would a top arts and design institution behave so aggressively to existing community members? The connections between the Ritblats and the Vice Chancellor of UAL are interesting. They reveal how the corporate takeover of high education and the arts are intersecting with the corporate takeover of our communities and our land.Read More
I was invited to lecture at Winchester School of Art on 3rd November 2017 as part of their Talking Heads series. This is a transcript of my lecture along with a link to my lecture slides (with notes) and a link to an edited recording of my discussion with Nick Stewart afterwards. The lecture covers a broad range of topics from my research including creative cities and the creative class, social capital, placemaking, artwashing, art and gentrification, anti-gentrification art, anti-art activism, the radical avant-garde, and examples of artists engaging with regeneration that do not result in artwashing or gentrification. It's quite long but perhaps gives an overall illustration of my work and a taste of my PhD thesis, Artwashing: The Art of Regeneration, Social Capital and Anti-Gentrification Activism.Read More
This is a transcript of my paper I presented at the Edge | Situated Practice conference at Here East on Saturday 7th October 2017. The conference was organised by the UCL Urban Laboratory and the Folkestone Triennial, with additional support from the Bartlett School of Architecture and Slade School of Fine Art. There's a link to my PowerPoint presentation too. It was a really interesting conference and I think my paper provoked some challenging debate.Read More
This is a response to Anna Francis’s article entitled ‘Artwashing’ gentrification is a problem – but vilifying the artists involved is not the answer. It includes comments from myself, Emily Jost, Rab Harling and Ewan Allinson.Read More
This is a reblog (with additions) of a post that was originally posted anonymously on LSE Sociology blog. I must explain a few things. I wasn't comfortable being anonymous because, as a fellow activist said, anonymity is the greatest dispossession. So here it is on my own site. I stand by my work but must explain that my issue is not with the ESRC research nor with anyone involved in the forthcoming research project. I am only interested in exploring The Idea - Platform-7 and what I consider to be an example of artwashing. It is also important to note that this work is personal and not connected to anything else I am involved with professionally. I consider this part of my ongoing activist work: an intervention; a performance; research as practice (praxis); art (or perhaps anti-art). It is an act of resistance and a critique. If this is problematic, I'm happy to explain more.Read More
This was my prosecution witness statement from the excellent Participation on Trial event organised by the lovely Chrissie Tiller and Goldsmiths from May 2015.
I think it remains as relevant to me as it did more than a year ago but I would say that I was a little over-generous in my support for socially engaged art - a term now so completely appropriated by the Institution of Art that it effectively is THE SAME AS participatory art. Perhaps my views have hardened? Anyway, I now have claimed socially engaged art is DEAD - twice! Undoubtedly, I will do so again...
The (eventual) verdict was “GUILTY – BUT WHO CARES?” Do you care?Read More
The UK is boiling over with a hatred and sense of alienation whisked up by UK and international self-interest - by the global libertarian elite: the 1%. THEY do not want an EU. THEY do not want peace. THEY do not want social justice. THEY do not care about the UK. THEY support any political party who will pander to THEIR demands. THEY control everything, everywhere. THEY hate socialism. THEY exploit people using whatever means necessary via THEIR media: lies, racism, hatred, division, xenophobia, false austerity, war, denying environmental destruction, on and on...Read More
I claim socially engaged art is DEAD. (Whether it ever lived or even existed beyond a category description is, of course, another question.) The Art World is DEAD. So, when the Art World subsumes the category description “socially engaged art” (and “social practice” and many more, for that matter) it must KILL the category description – the words.Read More
This is my full paper given as a lecture at Northumbria University in Newcastle on Wednesday 27th April 2016. It is the beginnings of an attempt to free radical social practice and activist art interventions from the ragwort-like sprouting of institutionalised and depoliciticised "socially engaged art".Read More
I've just presented my paper "Place Guarding: Activist and Social Practice Art - Direct Action Against Gentrification" at the Association of American Geographers Conference 2016 in San Francisco. I wasn't there. Made use of PowerPoint Mix! The PowerPoint and a nicer quality MP4 version will be available here very shortly. For now, here's my fully referenced paper with bibliography.Read More
Creative placemaking is no longer a friendly foil in the soft power arsenal of private property developers. It has been successfully institutionalised at every possible level from national governments to NGOs. Loosely threaded utopian hopes of democratic community building have been quickly woven into pretty bunting for insidious gentrification; winners’ pennants for the agents of systemic social cleansing.Read More