Gentrification - part 5 of the first chapter of my unpublished book "New Bohemias: Artists, Hipsters & Gentrification"

Gentrification - part 5 of the first chapter of my unpublished book "New Bohemias: Artists, Hipsters & Gentrification"

This is the fifth section of the first chapter of my as yet unpublished book. The conclusion to this sample chapter will be published later today.

See previous posts for earlier sections...

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"Changing places – from Old Bohemias to New Bohemias" - Introduction 1/6 (part 2 tomorrow)

"Changing places – from Old Bohemias to New Bohemias" - Introduction 1/6 (part 2 tomorrow)

I am publishing the first chapter from my unpublished book New Bohemias: Artists, Hipsters and Gentrification in six parts - one a day from today onwards. I published the book introduction earlier today. A longer section of this chapter "Old Bohemias" will be published tomorrow...

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New Bohemias: Artists, Hipsters & Gentrification - an introduction to an unpublished book

New Bohemias: Artists, Hipsters & Gentrification - an introduction to an unpublished book

I began writing a book about artists and hipsters and gentrification. It's a follow on from my article in the Guardian titled Hipsters and artists are the gentrifying foot soldiers of capitalism. The book remains unwritten although this is the introduction to the book proposal.

I will publish the first chapter, "Changing places – from Old Bohemias to New Bohemias", in 6 instalments beginning with the chapter introduction this afternoon then the following subsections one a day from tomorrow onwards: "Old Bohemias"; "Hipsters - Gentrification's Leeches and Parasites"; "New Bohemias"; "Gentrification"; and, finally, "Revenge of the Middle-Classes".

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Extracting New Cultural Value From Urban Regeneration: The Intangible Rise of the Social Capital Artist

Extracting New Cultural Value From Urban Regeneration: The Intangible Rise of the Social Capital Artist

This article was first published in print in Sluice Magazine and then on their website in 2017. I've decided to publish it on my website because I hope its content still resonates in 2018. It addresses issues of instrumentalism in the arts, artwashing, living creatively and cultural democracy. As I wrote in 2017, I believe "it is still possible to conceive of art as part of living creatively, as part of everyday life, as local cultural democracy, as artistic autonomy." It's time to talk about how...

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The Status Quo Will No Longer Do! (The Corporate Takeover of Art & Artwashing, or Social Justice in a Cultural Democracy?)

The Status Quo Will No Longer Do! (The Corporate Takeover of Art & Artwashing, or Social Justice in a Cultural Democracy?)

I was kindly asked to talk alongside Labour MP Laura Pidcock, Jessie Jo Jacobs (Policy and Campaigns Officer, Northern TUC) and Ramona McCartney (National Officer for the People's Assembly) at the People's Assembly event, "In Place of Austerity", in Newcastle on 20th January 2018. It was an incredibly inspiring day! This is the transcript for my talk...

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Old Boys Network: Elite connections can't prevent local people from defeating University of the Arts London & offshore property developer Delancey plan for social cleansing of Elephant & Castle

Old Boys Network: Elite connections can't prevent local people from defeating University of the Arts London & offshore property developer Delancey plan for social cleansing of Elephant & Castle

Plans to redevelop Elephant and Castle shopping centre and the surrounding area by tax-avoiding, Tory-supporting property developer Delancey and London College of Communication/University of the Arts London where rejected (subject to confirmation on 30th January 2018) by Southwark Council’s planning committee. It is understandable that arch-capitalists Delancey (owned by the notorious father and son property development partnership, the Ritblats) aren’t interested in local people and local communities, but what’s with LCC/UAL? Why would a top arts and design institution behave so aggressively to existing community members? The connections between the Ritblats and the Vice Chancellor of UAL are interesting. They reveal how the corporate takeover of high education and the arts are intersecting with the corporate takeover of our communities and our land.

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Rethinking the role of artists in urban regeneration contexts

Rethinking the role of artists in urban regeneration contexts

I was invited to lecture at Winchester School of Art on 3rd November 2017 as part of their Talking Heads series.  This is a transcript of my lecture along with a link to my lecture slides (with notes) and a link to an edited recording of my discussion with Nick Stewart afterwards.  The lecture covers a broad range of topics from my research including creative cities and the creative class, social capital, placemaking, artwashing, art and gentrification, anti-gentrification art, anti-art activism, the radical avant-garde, and examples of artists engaging with regeneration that do not result in artwashing or gentrification.  It's quite long but perhaps gives an overall illustration of my work and a taste of my PhD thesis, Artwashing: The Art of Regeneration, Social Capital and Anti-Gentrification Activism.

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Artists Against Artwashing: Anti-Gentrification & the Intangible Rise of the Social Capital Artist

Artists Against Artwashing: Anti-Gentrification & the Intangible Rise of the Social Capital Artist

This is a transcript of my paper I presented at the Edge | Situated Practice conference at Here East on Saturday 7th October 2017.  The conference was organised by the UCL Urban Laboratory and the Folkestone Triennial, with additional support from the Bartlett School of Architecture and Slade School of Fine Art.  There's a link to my PowerPoint presentation too.  It was a really interesting conference and I think my paper provoked some challenging debate.

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