This is a copy of my book chapter which was published earlier this year in Creative Placemaking: Research, Theory and Practice (2018). The book is edited by Cara Courage and Anita McKeown and is published by Routledge.Read More
This is the test recording of my paper given at Birkbeck (see previous blog post). It features film and a test recording of me reading from the paper. It contains bits of William Blake, Half Man Half Biscuit and a Trip to Trumpton...Read More
I took part in Communalities, urbanities and artistic commonalities - a symposium at Birkbeck School of Arts on 5th June 2018. This is a transcript of my talk. I billed it as the meeting of William Blake and Half Man Half Biscuit via a trip to Trumpton. There's a video to accompany the talk which I'll upload soon...Read More
This is a video recording of my lecture entitled Rethinking the role of artists in regeneration contexts. It was recorded at Northumbria University on 24th November 2017. Includes a short Q&A at the end.Read More
This is the transcript of my 3 very short provocations presented to stimulate discussion during my workshop at the Sound Connections Social Justice Conference at Cecil Sharp House on 30th November 2017.Read More
I was invited to lecture at Winchester School of Art on 3rd November 2017 as part of their Talking Heads series. This is a transcript of my lecture along with a link to my lecture slides (with notes) and a link to an edited recording of my discussion with Nick Stewart afterwards. The lecture covers a broad range of topics from my research including creative cities and the creative class, social capital, placemaking, artwashing, art and gentrification, anti-gentrification art, anti-art activism, the radical avant-garde, and examples of artists engaging with regeneration that do not result in artwashing or gentrification. It's quite long but perhaps gives an overall illustration of my work and a taste of my PhD thesis, Artwashing: The Art of Regeneration, Social Capital and Anti-Gentrification Activism.Read More
This is a transcript of my paper I presented at the Edge | Situated Practice conference at Here East on Saturday 7th October 2017. The conference was organised by the UCL Urban Laboratory and the Folkestone Triennial, with additional support from the Bartlett School of Architecture and Slade School of Fine Art. There's a link to my PowerPoint presentation too. It was a really interesting conference and I think my paper provoked some challenging debate.Read More
I believe that there is not enough emphasis placed upon understanding the theoretical and historical perspectives and contexts of 'participation' that are, for me, crucially important to both practice and research that engages with people, place, power and politics. Similarly, I also believe that, whilst this field is situated within 'the social', there is not enough emphasis on how practice and research may fit with broader understandings of art and society, nor, for that matter, with wider theoretical from other interrelated disciplines. Too often I attend conferences or read articles about socially engaged art, participatory art and Creative People and Places only to find an often insular, narrow discussion of practice which often is positioned within existing frameworks of practice and research which themselves are often ultimately defined by the state.
This article therefore attempts to open up new ways of thinking about community development and social engagement in art programmes like Creative People and Places.Read More
This is my paper which I presented at the Northumbria-Sunderland AHRC Centre for Doctoral Training Art and Design Research Annual Conference at the BALTIC Centre for Contemporary Art, Gateshead on 25th July 2017. Powerpoint and PDF versions can be downloaded here too...Read More
This article seeks to reveal the limitations of state-initiated arts and cultural projects as well as spurious notions of ‘empowerment’ by examining them in terms of homogeneity, universality and technocracy. It focuses on issues of instrumentalism with the arts and explores how state-initiated ‘community engagement’ programmes like Creative People and Places may effectively reproduce state agendas linked to social capital theory and thereby to neoliberalism. It asks a series of questions: Whose values really underpin cultural value? Who are ‘we’ and who are ‘we’ trying to ‘engage’? Whose culture are ‘we’ trying to (re)make and why? Do ‘we’ need new infrastructure; more managers? Do people in areas of low cultural engagement have their own forms of culture that some may just not consider ‘cultured’? If cultural democracy offers a different view of people power, so why is it loathed by the state?Read More
I did a talk at Diffusion 'Revolution' Festival Symposium at Cardiff University today. I've uploaded my presentation with notes here. Click the link below to read it and remember to turn notes on in bottom right hand corner of presentation when it loads... The talk is called Artwashing: From Mining Capital to Harvesting Social Capital.Read More
Did Assemble really play such a big part in Granby 4 Streets? How 'community-led' was the project? What was the role of the Community Land Trust? How did Assemble come to win the Turner Prize 2015? Who were the private social investors and what did they do to help make the project happen?
he intention here is to blow open the façade behind Granby 4 Streets, Assemble and the Turner Prize 2015 win.
his is a long read and part of my research into art-led regeneration projects that are often far more complex than is often portrayed.
argue that the media and art world picture of Assemble is overly simplistic and masks a far more complex and uncertain set of events that, ultimately, relied on 'mystery' private social investors to force local government to act in support of the project and to lever money from national grant funders.Read More
This is a little part of a draft section of my PhD thesis. It examines Creative People and Places, particularly, their People, Place, Power: Increasing Arts Engagement conference, suggesting empowerment may not be all it's cracked up to be, especially when 'delivered' by state-sanctioned, instrumentalising arts organisations and artists - the foot soldiers of state social art provision...Read More