This is a short article that aims to explain my arguments about artwashing. It focuses on art's long-standing relationship to property, power and publicity.Read More
This is a transcript of my paper I presented at the Edge | Situated Practice conference at Here East on Saturday 7th October 2017. The conference was organised by the UCL Urban Laboratory and the Folkestone Triennial, with additional support from the Bartlett School of Architecture and Slade School of Fine Art. There's a link to my PowerPoint presentation too. It was a really interesting conference and I think my paper provoked some challenging debate.Read More
This is a response to Anna Francis’s article entitled ‘Artwashing’ gentrification is a problem – but vilifying the artists involved is not the answer. It includes comments from myself, Emily Jost, Rab Harling and Ewan Allinson.Read More
I believe that there is not enough emphasis placed upon understanding the theoretical and historical perspectives and contexts of 'participation' that are, for me, crucially important to both practice and research that engages with people, place, power and politics. Similarly, I also believe that, whilst this field is situated within 'the social', there is not enough emphasis on how practice and research may fit with broader understandings of art and society, nor, for that matter, with wider theoretical from other interrelated disciplines. Too often I attend conferences or read articles about socially engaged art, participatory art and Creative People and Places only to find an often insular, narrow discussion of practice which often is positioned within existing frameworks of practice and research which themselves are often ultimately defined by the state.
This article therefore attempts to open up new ways of thinking about community development and social engagement in art programmes like Creative People and Places.Read More
There’s been a lot written about Boiler Room’s involvement with Notting Hill Carnival and its future funding from Arts Council England’s Ambition For Excellence programme to produce a film about the event. I do not intend to rehearse those discussions here. There have been many valid points raised on both sides of the argument. Rather, I want to address some serious issues that this fiasco raises about the role of public money in funding the arts in England. My contention here is not only that Arts Council England’s funding of Boiler Room does not meet the goals of the Ambition For Excellence programme, but that it also does not support their Creative Case for Diversity objectives either. Rather, it reinforces colonialism and white, upper and middle-class privilege. Indeed, this funding represents the deeply neoliberal agenda of turning art into a globally-marketed consumer product.Read More
This is a guest blog by Martin Daws. Martin is a Spoken Word Poet and Community Artist. Full-time freelance since 1999. Young People's Laureate for Wales 2013-2016. Check out his website and follow him on Twitter.
Martin came up with the idea of paying artists to work with communities instead of "investing" millions of pounds in "capital projects" such as arts centres. We chatted about it back in 2016 a bit and he came up with some figures back then. My take is similar but different to Martin's. I favour a simple system based upon replacing infrastructure projects with 10 year funding for community artists based on a scaled system proportionate to the size of each city, town or village. I recently tweeted this question: "Instead of a £50m art venue, a city could pay 200 artists £25k a year for 10 years to work with communities; do what they want. What do you think?" That's sort of my starting point. Martin has kindly agreed to lay out his first draft in a guest blog to hopefully stimulate more discussion and debate about this brilliantly simple, yet potentially life changing shift in how we think about arts funding and how it is distributed more equitably. I will respond in a blog post soon...Read More
This is a transcript of another Twitter conversation between @rattlecans and the poet Martin Daws. It stemmed from my tweet, which reflected Martin's call for paid artists in place of multi-million pound art centres. I asked: "Instead of a £50m art venue, a city could pay 200 artists £25k a year for 10 years to work with communities; do what they want. What do you think?" This is what happened...Read More
I received this letter from Richard Parry as a comment to my blog post entitled SHHH, BE QUIET! (Reflective prose about library closures, Arts Council England & middle-class asset stripping.) Richard has been researching the arts organisation V22 for some time (as have I). His letter which he has agreed to publish as a blog post here instead of a comment is the result of his research and relates to a number of Freedom of Information requests he has made to Arts Council England.Read More
This is a guest post by @Rattlecans - an outspoken voice on Twitter who I very much respect. Written in 2012, it's a re-blog from The Ragged University project. The original can be found here. Old Space Taken is about a once-strong community, now lost. Powerful and personal, it's a must read.Read More
This is my paper which I presented at the Northumbria-Sunderland AHRC Centre for Doctoral Training Art and Design Research Annual Conference at the BALTIC Centre for Contemporary Art, Gateshead on 25th July 2017. Powerpoint and PDF versions can be downloaded here too...Read More
Architects for Social Housing – or Simon Elmer and Geraldine Dening – have accused me of trolling and a whole lot of other things. I have been rethinking my work in recent months and felt it was time to work together with people from a broad range of interests. To admit I was being too purist. To advocate for dissent and disagreement and for solidarity. I still do. I stand by my concerns about ASH but I also think they do a great job at raising awareness of the social housing crisis and advocating for the rights of social housing tenants.
This is an open response to Simon James Elmer who wrote the blog on ASH’s website accusing me of trolling.Read More
This is the second of two blog posts examining recently published reports. The first post focused on the civic role of arts organisations. This post is a response to Towards cultural democracy: Promoting cultural capabilities for everyone and some of the other discussions that developed from its publication.Read More
Two new reports were recently released about how the arts and creativity might engage with society and communities in more meaningful ways. The first was Rethinking Relationships – an enquiry into the civic role of arts organisations commissioned by the Calouste Gulbenkian Foundation; the second was Towards cultural democracy, commissioned by Kings College London. Both reveal, for me, different and yet loosely interrelated attempts to find new ways to advocate for the arts or “everyday creativity”. This is the first of two blog posts in which I begin to critically examine the reports. The focus here is on Rethinking Relationships.Read More